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The Wealth
of Reality
An Ecology of Composition
Margaret
A. Syverson
August
ISBN
0-8093-2251-X / cloth / $39.95s
272 pages / 6.125 X 9.25 / 5 figures
Rhetoric and Composition
Margaret A. Syverson discusses the ways in which a theory of composing
situations as ecological systems might productively be applied in composition
studies. She demonstrates not only how new research in cognitive science
and complex systems can inform composition studies but also how composing
situations can provide fruitful ground for research in cognitive science.
Syverson first introduces theories of complex systems currently studied
in diverse disciplines. She describes complex systems as adaptive, self-organizing,
and dynamic; neither utterly chaotic nor entirely ordered, these systems
exist on the boundary between order and chaos. Ecological systems are
"metasystems" composed of interrelated complex systems. Writers,
readers, and texts, together with their environments, constitute one kind
of ecological system.
Four attributes of complex systems provide a theoretical framework for
this study: distribution, embodiment, emergence, and enaction. Three case
studies provide evidence for the application of these concepts: an analysis
of a passage from an autobiographical poem by Charles Reznikoff, a study
of first-year college students writing collaboratively, and a conflict
in a computer forum of social scientists during the Gulf War. The diversity
of these cases tests the robustness of theories of distributed cognition
and complex systems and suggests possibilities for wider application.
Margaret A. Syverson is the director of the Computer Writing and
Research Lab in the Division of Rhetoric and Composition at the University
of Texas at Austin. She is the web editor for the Computers and Composition
Journal Online and also president of the Board of Directors for the Center
for Language in Learning.
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"A
vital contribution to an important, emerging field. Synthesizing as it
does research in complexity theory and cognitive science that has long
been lurking on the margins of composition studies, it is in effect the
principal work in what will likely be termed hereafter 'studies in the
ecology of composition.' In giving form and urgency to the controversies
of self-organization, this book will spark much-needed dialogue among
composition researchers, literary theorists, and cognitive scientists."
Joe
Amato, author of Bookend: Anatomies of a Virtual Self
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