schanke angels in american theater

Angels in the American Theater

Patrons, Patronage, and Philanthropy

Edited by Robert A. Schanke

paper, 0-8093-2747-3, $35.00s
978-0-8093-2747-8
304 pages, 6 x 9, 15 illus.
Theater in the Americas
Robert A. Schanke, series editor
Theater

www.robertschanke.com

Examining the influence of philanthropists on the American theater

Angels in the American Theater: Patrons, Patronage, and Philanthropy examines the significant roles that theater patrons have played in shaping and developing theater in the United States. Because box office income rarely covers the cost of production, other sources are vital. Angels—financial investors and backers—have a tremendous impact on what happens on stage, often determining with the power and influence of their money what is conceived, produced, and performed. But in spite of their influence, very little has been written about these philanthropists.

Composed of sixteen essays and fifteen illustrations, Angels in the American Theater explores not only how donors became angels but also their backgrounds, motivations, policies, limitations, support, and successes and failures. Subjects range from millionaires Otto Kahn and the Lewisohn sisters to foundation giants Ford, Rockefeller, Disney, and Clear Channel. The first book to focus on theater philanthropy, Angels in the American Theater employs both a historical and a chronological format and focuses on individual patrons, foundations, and corporations.

“Angels in the American Theater should be required reading for administrators and students alike. The essays are informative and readable, and the introduction by editor Robert A. Schanke is especially useful as an overview of theatre funding over the last century.”—Gil Lazier, Dean of Theatre Emeritus, Florida State University.

“These essays work together admirably to fill a gaping hole in the historical record. Angels in the American Theater has the salutary effect of making us all consider those individuals who inspire, guide, and shape what gets on stage but who rarely are acknowledged as collaborators in the artistic process.”

—Harley Erdman, author of Staging the Jew: The Performance of an American Ethnicity, 1860–1920

“Angels in the American Theater will encourage the reader to think about the nature of giving to the arts and the relationship of patron to artist in the modern theatre. The cumulative effect of these essays is to make one want to be generous to arts organizations and to interact more meaningfully with potential donors.”

—Felicia Hardison Londré, author of Words at Play: Creative Writing and Dramaturgy

Contributors

Stephen D. Berwind
Melanie Blood
Theresa M. Collins
David A. Crespy
Dan Friedman
Alexis Greene
Jeffrey Eric Jenkins
Bruce Kirle
Sheila McNerney Anderson
John R. Poole
Kathy L. Privatt
Robert A. Schanke
Jennifer Schlueter
Jeffrey Ullom
Anthony J. Vickery
Barry B. Witham

Robert A. Schanke, a professor emeritus of theatre at Central College, Iowa, has contributed to numerous journals, reference books and anthologies. He is the author of “That Furious Lesbian”: The Story of Mercedes de Acosta, winner of the ForeWord Magazine Book of the Year Award, Ibsen in America: A Century of Change, Eva Le Gallienne: A Bio-Bibliography, and Shattered Applause: The Lives of Eva Le Gallienne.


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	Angels in the American Theater Patrons, Patronage, and Philanthropy Edited by Robert A. Schanke paper, 0-8093-2747-3, $35.00s 978-0-8093-2747-8 304 pages, 6 x 9, 15 illus. Theater in the Americas Robert A. Schanke, series editor Theater www.robertschanke.com Examining the influence of philanthropists on the American theater Angels in the American Theater: Patrons, Patronage, and Philanthropy examines the significant roles that theater patrons have played in shaping and developing theater in the United States. Because box office income rarely covers the cost of production, other sources are vital. Angels—financial investors and backers—have a tremendous impact on what happens on stage, often determining with the power and influence of their money what is conceived, produced, and performed. But in spite of their influence, very little has been written about these philanthropists. Composed of sixteen essays and fifteen illustrations, Angels in the American Theater explores not only how donors became angels but also their backgrounds, motivations, policies, limitations, support, and successes and failures. Subjects range from millionaires Otto Kahn and the Lewisohn sisters to foundation giants Ford, Rockefeller, Disney, and Clear Channel. The first book to focus on theater philanthropy, Angels in the American Theater employs both a historical and a chronological format and focuses on individual patrons, foundations, and corporations. “Angels in the American Theater should be required reading for administrators and students alike. The essays are informative and readable, and the introduction by editor Robert A. Schanke is especially useful as an overview of theatre funding over the last century.”—Gil Lazier, Dean of Theatre Emeritus, Florida State University. “These essays work together admirably to fill a gaping hole in the historical record. Angels in the American Theater has the salutary effect of making us all consider those individuals who inspire, guide, and shape what gets on stage but who rarely are acknowledged as collaborators in the artistic process.” —Harley Erdman, author of Staging the Jew: The Performance of an American Ethnicity, 1860–1920 “Angels in the American Theater will encourage the reader to think about the nature of giving to the arts and the relationship of patron to artist in the modern theatre. The cumulative effect of these essays is to make one want to be generous to arts organizations and to interact more meaningfully with potential donors.” —Felicia Hardison Londré, author of Words at Play: Creative Writing and Dramaturgy Contributors Stephen D. Berwind Melanie Blood Theresa M. Collins David A. Crespy Dan Friedman Alexis Greene Jeffrey Eric Jenkins Bruce Kirle Sheila McNerney Anderson John R. Poole Kathy L. Privatt Robert A. Schanke Jennifer Schlueter Jeffrey Ullom Anthony J. Vickery Barry B. Witham Robert A. Schanke, a professor emeritus of theatre at Central College, Iowa, has contributed to numerous journals, reference books and anthologies. He is the author of “That Furious Lesbian”: The Story of Mercedes de Acosta, winner of the ForeWord Magazine Book of the Year Award, Ibsen in America: A Century of Change, Eva Le Gallienne: A Bio-Bibliography, and Shattered Applause: The Lives of Eva Le Gallienne.	How to buy this book
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