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The music of Frank Stemper has been described as being both “overly complex” and “curiously accessible.” These contrasting descriptions accurately suggest a style that is difficult to categorize and a musical voice that is both original and deeply personal. (SEVEN) SEPARATE WAYS, reviewed in the Romanian Cultural Publication, ACTUALITATEA MUZICALA, in Feb. 2007,states, "...through his particular language he succeeds in finding a way of communicating with a less informed audience without making any stylistic concessions to the modern of our epoch." Stemper's music is not composed for what Samuel Barber referred to as the "minority elite."

This music has also been described as “intensely dramatic” with “large sweeping gestures” and a "healthy sense of humor.“ Whatever is said, it always seems to get a strong reaction. For example, upon hearing his 2005 53-minute song cycle, A LOVE IMAGINED, composer/conductor Lukas Foss commented, “It’s like a piano concerto with recitative. No. 4 is indeed most effective, but they are all interesting – inspiring.” Composer Lee Hyla said, “…I think the dramatic shape is very effective, and, as ever, the harmonic and textural worlds are beautiful.” Composer Don Freund wrote, “A Love Imagined is a masterpiece, a tremendously ambitious, deep, moving all-embracing experience. Definitely the work of an important artist at the peak of his powers and inspiration.”

Stemper's music has received hundreds of performances by musicians and ensembles across the United States, as well as in Canada, Mexico, England, Holland, France, Germany, Italy, Spain, Austria, Poland, Hungary, Romania, Latvia, Ukraine, Cyprus and Japan. it has been performed at the John F. Kennedy Center for the Performing Arts in Washington D. C.; Carnegie Hall in New York City; Teatro de Los Heroes in Mexico, the HOTHOUSE and SOUTH END MUSIC WORKS in Chicago, the International Society for Contemporary Music (ISCM), the Saptamina Internationala A Muzicii Noi in Bucharest, Romania; the Festival Internacional De Musica Contemporánea in Alicante, Spain; Vladmir Ussachevsky Computer Music Festival in Los Angeles, California; Bregenzer Festspiele at the Landeskonservatorium Feldkirch/Kapelle, Austria; the Incontri Europei Con La Musica – XXII in Bergamo, Italy; and the XV FESTIVAL DE MARZO 2004” in the courtyard of the C. C. U. Quinta Gameros, Chihuahua, Mexico.
Larger works have been performed by the Romanian Radio Orchestra, the Jungendsinfonieorchester Dornbirn – Austria, the Utrecht Conservatorium Orchest, The Milwaukee Chamber Orchestra, the Southern Illinois Symphony Orchestra, the Illinois Symphony Orchestra and the Bacau Philharmonic, and more than 60 American universities and several European conservatories.

This continuous activity has earned 19 consecutive Standard – ASCAPlus Awards from the American Society of Composers, Authors and Publishers, three Meet the Composer Stipends, three Artist Fellowships from the Illinois Arts Council, two Artistic Achievement Awards from Phi Kappa Phi, the Hertz and other fellowships, grants from the National Endowment for the Arts, the Rockefeller Fund for Music, the American Music Center and a Pulitzer nomination. In addition to being awarded the 1981 George Ladd Prix de Paris, which supported a two year residency in Paris, France, he has received support in the form of commissions and/or residencies from the governments of Austria (3), Romania (3), Mexico (5), and Holland (2). He has received 33 commissions from various ensembles for new music, 24 invitations to serve as Guest Composer for various festivals or educational settings, and there are eight professional recordings (2 vinyl, 6 CD’s) on various labels of his work, with more recent recordings pending.

Stemper’s principal teachers were composer Andrew Imbrie (UC-Berkeley), theorist David Lewin (SUNY-Stony Brook) and pianist Robert Silverman (UBC-Vancouver), as well as composers Olly Wilson, Edwin Dugger, Seymour Shifrin, John Downey and Betsy Jolas.

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